Bill Bruford: The Autobiography jazz article by John Kelman, published on March 2, at All About Jazz. Find more Book Reviews articles. [Editor’s Note: The following is an excerpt from Bill Bruford’s The Autobiography, first published in by Jawbone Press, but receiving the. It draws on interviews with nine top drummers and Bruford’s own “Bill Bruford – The Autobiography” continues to go from strength to strength.

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Trivializing the whole supposed beauty of the art form. Description Bill Bruford – once called ‘the godfather of progressive-rock drumming’ – has been at the top of his profession for four decades, playing with Yes, King Crimson, Genesis, Earthworks, and many more.

I don’t doubt that others accept my efforts as valuable: Much of the book is given over to analysis of the musician and their role in modern culture in all aspects.

Dressing rooms autobioography to be emptied of clothes and alcohol, strange-looking cigarettes have to be rolled and smoked, bits of gear forgotten, remembered, looked for, found, re-packed.

However, to expand our offerings and develop new means to foster jazz discovery we need your help. All-instrumental, it possessed the kind of focused vision that allowed for no ifs or buts. Search Albums by title.

There is a number of cool and catchy phrases in the autobiography, such as “Music begins where language leaves autobiogtaphy and several funny quotes, such as “The [progress in] technology has benefits anyone can make a record which immediately leads to drawbacks everyone does make a record.

I still love his work. No one can know having not walked in his shoes. We sat there in focused attention, and then silently in awe as the music faded away.


Bill can certainly write– he counters heavy material with his signature brand of arrogant, sardonic humor, and often pokes fun at anything or anyone he can including himself. Press Release Distribution Sign in or sign up to upload your press release.

Bill Bruford – The Autobiography: Yes, King Crimson, Earthworks and More

It becomes clear that drumming is exactly that to Bruford – a profession. Much of what he says about the problems of maintaining confidence in one’s abilities, and of dealing with a rapidly evolving devolving?

Even as someone who fosters no love, just indifference and lack of exposure, to his pet project, the jazz group Earthworks, which takes a very prominent role in the book towards the end, the book never becomes boring. That said, this is probably the best rock musician autobiography I have read and sets a sort of gold-standard for that sub- sub- sub-genre.

Yemen Yugoslavia Zaire Zambia Zimbabwe. Bruford began at the top, playing drums on million-selling albums and the world’s biggest stages with Yes, King Crimson and Genesis during the s. Very English, very enjoyable. Jun 03, Derek Hale rated it really liked it. Feb 08, Janne Paananen rated it it was amazing Shelves: Sign in Sign up Email address. Definitely a good read. Is it different, being in Sign in or sign up to create or claim your musician profile page.

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In his search for an answer, Bruford muses in engrossing detail on the myriad compromises and pacts that the working musician must make: Book Reviews Dexter Gordon: As has been well documented, this is less an autobiography than a study of what it takes and means to be a professional musician. It’s those that you should watch, not me. It is clear that there is absolutely no love lost between King Crimson’s spiritual leader and Bruford.


Review: Bill Bruford: The Autobiography by Bill Bruford | Books | The Guardian

Even if you have no interest in Bruford’s music, either in rock or in jazz, this is a fascinating read. He repeatedly “circles in autobiogtaphy and returns to his periods of playing with Yes, King Crimson, Genesis, Bruford, and Earthworks.

Same true to radio and phonograph records. We sent a confirmation message to.

Bill Bruford: The Autobiography

There are no discussion topics on this book yet. Bruford’s autobiography is much more than the story of his life, it’s a laying bear of his philosophy of music as well as a fascinating account of the changing face of the music business. Jazz Poll Help us identify the world’s top jazz venues. Bruford has written a painfully honest book about his experience as a musician addressing both the exhilarating and terribly difficult and mundane aspects of pursuing his craft with passion.

As is proper to a jazz player, there is not so much a premeditated structure but a series of juxtaposed themes that run through the whole book, waxing and waning, foregrounded and backgrounded, in their turn. To this madness is added a small army of rock groups, in vehicles rented from a highly unsupervised and fledgling car-rental industry. As a drummer, I was excited to read this but I think Mr.

Ultimately, I guess I enjoyed it, but I was hoping for more nitty gritty chatter about drums and rhythm and such.