Ibert Piece-Solo Flute-Leduc. Piece for Solo Flute was premiered by Marcel Moyse. Comprised of three movements with two contrasting themes. Ibert Piece for Solo Flute. January 3, | Author: Allison Q. Kessinger | Category: N/A Short Description. Ibert. Sheet Music – £ – Jacques Ibert’s Piece pour Flute Seule (Piece for Solo Flute ). Published by Alphonse Leduc.

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Is this intended to be the voice of Moyse? This is followed by 1 beat of triples and one beat of 4 sixteenth notes:. You are commenting using your Twitter account. They say that imitation is the finest form of flattery. Perhaps this was an exercise used at the Paris Conservatoire.

You are commenting using your WordPress. Is there a sentence or a phrase known only to the composer that is created using these rhythmic syllables?

Like the Ibert, Bozza uses the cadenza between the B section and the return of the A section in Image to showcase the most technically demanding elements in the work. Is there a joke buried in these lines that only Moyse would understand? Both Ibert and Bozza leave the true musical fireworks in the cadenza sections connecting the B section to the repetition of the A section.

Repetitive Recitative The Introductions of both works are strikingly similar — meandering lines creating fantasy-like imagery using echo effects and rapid lines leading to false climaxes.

After brushing off the years of dust from this piece and woodshedding some of the technical passages, I began to hear a clear influence of other works written around this time period.

Notify me of new posts via email. In the Ibert, we see grouping of sextuplets followed by septuplets followed by tor 32 nd notes and a grouping of nine 32 nd notes.


The monotone rhythm of the line could represent a monotone voice speaking musical knowledge without the use of words. In both instances, there are 3 repetitions of this swirling figure, all gaining in fulte with each repetition to lead into the most virtuosic moment of each piece. Image features a similar cadenza linking the A section to the B section at the top of the 2 nd page, beginning with a fermata placed above a low B sharp. Perhaps Ibert was trying to set the groundwork for the Image.

This pattern replays throughout the B section namely in and around the impending Animanto: What is piecd, however, is that there are striking similarities between both of these pieces, structurally as well as and harmonically. It is difficult to say which piece influenced the other due to discrepancies among scholars regarding publication dates yet both pieces were written for Marcel Moyse. The faster, technically demanding A sections are enhanced by a slower, more lyrical B section.

The similarities between these swirling figures in both pieces are quite eerie.

Jacques Ibert – Piece pour Flute Seule

Notify me of new comments via email. Learn how your comment data is processed. This of course is all just speculation.

This site uses Akismet to reduce spam. Where they somehow commenting on the Flut style? Welcome to Flute Friday Monday! Fill in your details below or click an icon to log in: There are several works throughout the history of Western Music that could be considered imitations of one another.

The use of the virtuosic cadenza sections in both works displays a clear similarity in function to connect the A section to the B and the B section to the return of the A section. Bach as does many of the works by Felix Mendelssohn.

Piece pour Flute Seule

The Introductions of both works are strikingly similar — meandering lines creating fantasy-like imagery using echo effects and rapid lines leading to false climaxes. Leave a Reply Cancel reply Enter your comment here This is all but a prelude to iberf most technically demanding element of the piece, a long progression of rapidly moving minor thirds extending chromatically for 2 octaves.


What is similar, however, is that each section is connected by rhythmically intricate cadenzas.

In the Ibert, such a figure appears at ibegt very beginning of the piece: The most significant similarity, however, is the repetitive notes that create a sense of recitative without words.

Image is written in ternary ABA form with a slower, fantasy-like introduction. The same duple vs. This is followed by 1 beat of triples and one beat of 4 sixteenth notes: Was this swirling figure somehow evocative of Moyse? Octave displacements complete the cadenza and introduce the return of the A section at the Piu lento.

What iberrt the significance of the duple vs. Email required Address never made public. Or maybe a commentary on the nature of a brooding performer who perhaps lets his thoughts bubble not vlute, not twice, but three times before he takes action sounds like a Taurus….

Ibert Piece for Solo Flute – Free Download PDF

Each section is linked together with virtuosic cadenzas exploring the range of the instrument and incorporating extended techniques such as flutter tonging. The last time I ibegt this piece in public was countless years ago at a studio recital as a Freshmen at DePauw University, long before I tackled the Ibert and Nielsen Concerti and other seminal works from the standard contemporary flute canon.

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